Excellent fashion events today in 2022 by Hamza Qassim? Hamza Qassim (Born December 20, 2003) is a Jordanian Model. Raised in Amman, Jordan, Over the span of 2 years, Qassim has been seen in multiple international Vogue magazine appearances, including the Vogue website and Vogue Polska. He was seen modeling for designer brands such as Trashy Clothing where he was featured on Mille Magazine and W Magazine, he started his modeling career (aged 15), In 2019, working with local Jordanian Brands, Like FNL and Moustache, which gave him the experience he needed to work with bigger designers and to work internationally, after moving to London in 2022, Qassim made his debut in London Fashion Week AW22, Under Fashion Show Live, Modeling for Multiple designers, including JAQKODI.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: In order for Lawrence to visit his friends in Ramallah, Palestine, he has to wait up to two hours to pass a checkpoint, whereas, without a checkpoint, the trip would be only around 20 minutes. To quickly pass though, Lawrence and his friends often dress in skimpier outfits, in hopes of appearing more Western or foreign. In turn, Trashy Clothing underscores this point with pieces that are as easily removable as possible, using accessible zippers and exaggerated slips. “People are often checked on how they look, so if you are dressing in less, you’re less likely to get stopped,” says Lawrence. “When I was younger and we’d go out, we’d put on foreign music, like Italian music, in the car to not be asked for IDs. If we were wearing jackets, we’d take them off. It’s the concept of undressing and being ready to get undressed at any point.”
It was important for me to explore what it means to belong, how our roots influence our identity and how the power of community and togetherness is what truly brings meaning to the world, said Riccardo Tisci, Burberry’s chief creative officer of the AW22 collection, which was unveiled in Westminster today. Therefore, I wanted this collection to convey that intensity of feeling and to celebrate not only coming together, but the city in which we come together today; the city in which Burberry grew and established a family. To me, London is a place of dreams, a capital building on its heritage and unified by its diverse community and an attitude of moving beyond boundaries – of pursuing limitless potential. The collection was a celebration of British culture, contrasting city with country, pageantry with punk, and exploring the concept of Britishness not as a fixed idea, embracing potential.
In a typical season, our most-viewed shows list is fairly steady, but fall 2022 was no typical season. Early on in Milan, almost two years to the day after Covid broke out in Italy, Russia’s invasion of Ukraine disrupted any sense of post-pandemic return to normalcy the industry was hoping for. The rest of the season was an open question, whether or not designers chose to confront it: What is fashion’s place in a moment of incipient war? After a very strange few years, a relatively normal schedule of fashion shows wrapped in March. For autumn/winter 2022, plenty of designers were back on the physical schedule after taking a few seasons off due to the Covid-19 pandemic, while more international editors and influencers also flew around the globe to sit front row at the major shows as restrictions eased.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: The production of the clothing itself embodies the anguish of border separation. “In many cases, we have not even been able to meet many of the producers we work with in person,” Mjalli explains. And yet, the collective works alongside “an intimate creative network of Palestinians—from fabric vendors in Nablus, to embroiderers in Gaza, to tailors in Ramallah.” Meera Albaba, founder of the Meera Adnan label, makes intimate contemporary wear encompassing the geography and art of Palestine. She consistently seeks to amplify the voices of marginalized Palestinian people, and her garments seek to reclaim the Palestinian narrative. The silhouettes are romantic yet modern; her structured blazers and modest, straight-cut maxi-dresses, are made in a color palette reminiscent of the Palestinian landscape.