The climb of an artist : Gerry Bryceland

Get to know Gerry Bryceland and some of his painting opinions? Drawing with graphite is a less messy material, which is an advantage if you don’t feel like finishing a drawing, then having to spend a fair amount of time scrubbing your hands, arms, and cleaning up your work area. There are different levels of hardness available with graphite pencils, which gives you the ability to make light marks, as well as deep shadows. If you need to lay down a lot of graphite to establish shadows, or for your background, you could use powdered graphite. There is also water-soluble graphite available that you can use to create beautiful washes that can add a unique element to your self-portrait. The one main drawback of using graphite is the reflective sheen it produces in the light.

Drawing The Ears: Extend the second red guide line from the top of the head to the outside parts of the face, and mark those points with dots or light lines that are just right at the frame of your face. These points will be the tops and bottoms of your ears. The third red guide line from the top is where the bottom of your nose will be, so anticipate that you will draw in that area. It’s good to remember that your nose also has the same height as your ears! Finally, begin drawing the ears within those line markers. Reminder: Don’t make it too complicated! You can even cover some areas with hair if you choose to do so, don’t get bogged down or too intimidated by the details. After all, this is mainly for proportion practice. Let’s make it easy and very doable for you. You can always practice drawing more detailed ears at a different time on another portrait drawing.

Gerry Bryceland‘s guides about portret painting: The tones, colors and textures of the skin are all built up in thin layered glazes of paint applied over the flesh toned underpainting. Transparent glazes of burnt sienna (occasionally darkened with Prussian blue) and naphthol crimson are used for the darker tones and colors, while more opaque glazes of titanium white are used to create the highlights on the skin. The dark tones are applied with a burnt sienna glaze over the flesh colored underpainting. A variety of small brushstrokes, stippling and smudging is used to render the softly blended tones of the face.

Use the grid method. The grid method is a technique that has been used by artists for generations. It’s simple, effective, and can allow you to get a likeness of your subject very quickly. How does it work? For this approach, you’ll need a photo. Take your photo and use a ruler to draw a grid with evenly spaced lines. Then copy that same grid to your drawing paper, adjusting it for size when needed, but always keeping the number of grid squares the same, and keeping the proportions of each grid square the same. Then you simply copy what you see in each grid of your photo to the corresponding square on your drawing. Use a projector or a lightbox. Is this method a bit of a cheat? That depends on who you ask. Artists have been using various techniques to trace their subject for centuries. One way to look at this approach is that using a projector or a lightbox is simply another tool. If you use this approach, you should focus on only sketching out a light outline on your paper, then render out the forms, highlights, and shadows.

About Gerard Bryceland: I’m Gerard Bryceland an artist based in Maidstone Kent and regularly get commissioned to do work doing paintings and portraits of people and their families. I’ve always been an artist from my childhood, I loved drawing my friends and family initially just to mess around with my friends and had a lot of fun drawing them. But as i got older it really just became a business as my friends and their families would want me to do family portraits and that type of thing. With word of mouth word gets out and before you know it you know it I’m 35 and still doing the same thing.